翻訳と辞書
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・ Peter Zeindler
・ Peter Zeitlinger
・ Peter Zelem
・ Peter Zelenský
・ Peter Zezel
・ Peter Zheltukhin
・ Peter Zidar
・ Peter Ziegler
・ Peter Zijerveld
・ Peter Zimmerman
・ Peter Zinner
・ Peter Zinovieff
・ Peter Zipfel
・ Peter Zirschky
・ Peter Zivic
Peter Zizka
・ Peter Zizzo
・ Peter Zobl-Wessely
・ Peter Zoller
・ Peter Zorn
・ Peter Zoïs
・ Peter Zschech
・ Peter Zuckerman
・ Peter Zug
・ Peter Zummo
・ Peter Zumthor
・ Peter Zupanc
・ Peter Zuzin
・ Peter Zychla
・ Peter Záboji


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Peter Zizka : ウィキペディア英語版
Peter Zizka

Peter Zizka (born December 16, 1961) is a German conceptual artist and designer.
== Life ==

Zizka initially trained as an art restorer. In 1983, he went on to study graphics, design, and visual communication at the Hochschule für Gestaltung Offenbach. At the same time, he attended the Städelschule in Frankfurt and studied under Bruce McLean, among others.
Zizka founded the MEMORY conceptual art group together with Olaf Rahlwes. MEMORY's international exhibitions explored the interface between art and design in the early 1990s.
After leaving MEMORY, Zizka worked on design projects that were socially relevant. In his work, Zizka adopts a less agitative position than that of a communication guerrilla or an adbuster such as Banksy. The most well known of his work from this series is ''The Virtual Minefield'', the first floor-based installation spanning art and design. Zizka won the gold award from the European Art Directors Club for ''The Virtual Minefield.'' It was shown at the Kunsthal Rotterdam, the Foreign Office in Berlin and the Hygiene Museum Dresden among others.
In 2008, Zizka won the design competition for the Kieler Woche Festival, following the likes of Wim Crouwel (1998), Fons Hickmann (2002), and Klaus Hesse (2006).
2010 he starts an art Project in Burundi to render weapons of the Hutu Tutsi conflict harmless in real terms and at the same time initiate a process, by means of aesthetisation, which is relevant to society to make the discussion on the issue of small arms tangible on a broad communication level
2011 he received the fellowship of the Deutsche Akademie Rom Villa Massimo
2014 he writes about design for the Swiss Bilanz magazine, since 2015 he works also as a freelance curator for the Museum für angewandte Kunst Frankfurt

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